@techreport{oai:ipsj.ixsq.nii.ac.jp:00098112,
 author = {宝珍, 輝尚 and 野宮, 浩揮 and Teruhisa, Hochin and Hiroki, Nomiya},
 issue = {5},
 month = {Jan},
 note = {伝統技能の継承を目的として，「間」 に着目して基本動作についての検討を行ってきている．これまでに，「間」 の種類についての考察を行い，また，茶道のお点前から 「間」 に着目して基本動作の導出を試みてきている．本論文では，まず，テンポを変化させて表情付けや感情込めをする演奏・動作を 「間」 ととらえ，その開始と終了についての考察を行う．ここでは，「早く開始」，「遅れて開始」，ならびに，「遅れて終了」 が使用されていることを示す．次に，動作における 「間」 に着目した基本動作の導出の妥当性を検証する．導出にあたっては，おおまかな動きをもとに典型的な基本動作の区間と類似した区間を求める方法を採っているが，適切な区間長，おおまかな動きの程度，ならびに，類似か否かを判断する閾値が必要である．本論文では，これまでに得られている値が妥当であることを示す．また，基本動作の導出を試みる．, We have studied the fundamental movements by focusing on pauses for inheriting traditional skills. The kinds of pauses have been clarified. Fundamental movements have also been tried to be derived by focusing on pauses. When a player slightly changes tempo in order to attach his/her expression and feelings, we feel time periods as special ones. These time periods are considered as pauses. This paper studies on the beginnings and the ends of them. It is clarified that the pauses beginning earlier, beginning later, and ending later than usual are used. This paper also shows the validity of the parameters in deriving fundamental movements based on pauses from movements. The fundamental movement is derived by comparing segments with the one of a typical fundamental movement based on rough movement. The parameters are the length of a segment, the degree of roughness used in the comparison, and the threshold value used in judging whether a segment is similar to another. This paper confirms that the parameter values already obtained are valid. The fundamental movement is also tried to derived.},
 title = {技能における間についての考察},
 year = {2014}
}