{"created":"2025-01-18T23:40:59.649618+00:00","updated":"2025-01-21T15:16:35.666269+00:00","metadata":{"_oai":{"id":"oai:ipsj.ixsq.nii.ac.jp:00091844","sets":["1164:5064:7126:7159"]},"path":["7159"],"owner":"11","recid":"91844","title":["指揮システム:“VirtualPhilharmony”楽器ごとの個別タイムラインによるスケジューラ管理"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-05-04"},"_buckets":{"deposit":"66031ba8-51f5-44d5-90a3-bf8426c06591"},"_deposit":{"id":"91844","pid":{"type":"depid","value":"91844","revision_id":0},"owners":[11],"status":"published","created_by":11},"item_title":"指揮システム:“VirtualPhilharmony”楽器ごとの個別タイムラインによるスケジューラ管理","author_link":["0","0"],"item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"指揮システム:“VirtualPhilharmony”楽器ごとの個別タイムラインによるスケジューラ管理"},{"subitem_title":"Conducting System “VirtualPhilharmony”: Control of a scheduler by a separate timeline for each musical instrument","subitem_title_language":"en"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ポスターセッション","subitem_subject_scheme":"Other"}]},"item_type_id":"4","publish_date":"2013-05-04","item_4_text_3":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"関西学院大学大学院理工学研究科"},{"subitem_text_value":"相愛大学音楽学部音楽マネジメント学科"},{"subitem_text_value":"関西学院大学大学院理工学研究科"}]},"item_4_text_4":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_value":"Graduate School of Science and Technology, Kwansei Gakuin University","subitem_text_language":"en"},{"subitem_text_value":"Department of Music Management, Faculty of Music, Soai University","subitem_text_language":"en"},{"subitem_text_value":"Graduate School of Science and Technology, Kwansei Gakuin University","subitem_text_language":"en"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_publisher":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"情報処理学会","subitem_publisher_language":"ja"}]},"publish_status":"0","weko_shared_id":-1,"item_file_price":{"attribute_name":"Billing file","attribute_type":"file","attribute_value_mlt":[{"url":{"url":"https://ipsj.ixsq.nii.ac.jp/record/91844/files/IPSJ-MUS13099049.pdf"},"date":[{"dateType":"Available","dateValue":"2015-05-04"}],"format":"application/pdf","billing":["billing_file"],"filename":"IPSJ-MUS13099049.pdf","filesize":[{"value":"2.3 MB"}],"mimetype":"application/pdf","priceinfo":[{"tax":["include_tax"],"price":"660","billingrole":"5"},{"tax":["include_tax"],"price":"330","billingrole":"6"},{"tax":["include_tax"],"price":"0","billingrole":"21"},{"tax":["include_tax"],"price":"0","billingrole":"44"}],"accessrole":"open_date","version_id":"1d3633ca-f9f6-472f-a0e8-cd50a6bd1b2a","displaytype":"detail","licensetype":"license_note","license_note":"Copyright (c) 2013 by the Information Processing Society of Japan"}]},"item_4_creator_5":{"attribute_name":"著者名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"馬場, 隆"},{"creatorName":"橋田, 光代"},{"creatorName":"片寄, 晴弘"}],"nameIdentifiers":[{}]}]},"item_4_creator_6":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Takashi, Baba","creatorNameLang":"en"},{"creatorName":"Mitsuyo, Hashida","creatorNameLang":"en"},{"creatorName":"Haruhiro, Katayose","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10438388","subitem_source_identifier_type":"NCID"}]},"item_4_textarea_12":{"attribute_name":"Notice","attribute_value_mlt":[{"subitem_textarea_value":"SIG Technical Reports are nonrefereed and hence may later appear in any journals, conferences, symposia, etc."}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourceuri":"http://purl.org/coar/resource_type/c_18gh","resourcetype":"technical report"}]},"item_4_description_7":{"attribute_name":"論文抄録","attribute_value_mlt":[{"subitem_description":"指揮システム“VirtualPhilharmony”は，実際にオーケストラを指揮する感覚に焦点を当てた指揮システムである．ヒューリスティックに構築されたオーケストラの演奏モデルを基に設計されたコンサートマスター機能や，本番前の練習期間をシミュレートしたリハーサルモードを実装することによって，オーケストラとプレイヤ(指揮者)とのインタラクションを実現し，これによりリアルな指揮感覚をプレイヤに提供する．従来の，単一のタイムラインによるスケジューラ管理を見直し，楽器ごと，声部ごとの複数タイムラインを導入する．また，指揮における左手の役割とシミュレートの方法を議論する．","subitem_description_type":"Other"}]},"item_4_biblio_info_10":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicPageEnd":"6","bibliographic_titles":[{"bibliographic_title":"研究報告音楽情報科学（MUS）"}],"bibliographicPageStart":"1","bibliographicIssueDates":{"bibliographicIssueDate":"2013-05-04","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"49","bibliographicVolumeNumber":"2013-MUS-99"}]},"relation_version_is_last":true,"weko_creator_id":"11"},"id":91844,"links":{}}