@inproceedings{oai:ipsj.ixsq.nii.ac.jp:00079418,
 author = {阪田, 真己子 and 倉坂, 幸佳 and Mamiko, Sakata and Sachika, Kurasaka},
 book = {じんもんこん2011論文集},
 issue = {8},
 month = {Dec},
 note = {雅楽をはじめとする日本の伝統芸能では「間」をうまくとることが求められる．しかし，｢間｣は日本の伝統芸能や日常行動を特徴づける重要な存在でありながらも，その実態は捉え難いものである．そこで，本研究では，日本の伝統芸能の中で最古に成立したとされる雅楽の舞における「間」のとり方を，舞人と龍笛奏者の関係性から実証的に検討することを目的とする．, Accurate, yet delicate, timing is required in Japan’s traditional performing arts which include gagaku, the ancient court dance and music. Despite its critical importance in traditional art and daily activities, the concept of ma, pausing or timing as in rhythm, eludes clear-cut understanding. Therefore, this study is an empirical attempt at understanding the ma timing by analyzing the relationship between the dancer and the player of the ryoteki (dragon flute), an ancient musical instrument used for ceremonial court performances.},
 pages = {269--274},
 publisher = {情報処理学会},
 title = {舞楽における「間」の取り方に関する基礎的研究 ―『陵王』の登台後沙陀調音取から当曲音頭まで―},
 volume = {2011},
 year = {2011}
}