@techreport{oai:ipsj.ixsq.nii.ac.jp:00079206,
 author = {内田, 遼 and 矢向, 正人 and Uchida, Ryo and Yako, Masato},
 issue = {12},
 month = {Dec},
 note = {中世からルネッサンスまでの協和・不協和に関する西洋音楽理論は,声楽曲を念頭においている.この事実をふまえ,亀岡・厨川,小畑,Sethares による協和性理論を再検討し,歌声の協和性の分析を試みる., Western music theories from medieval times to the renaissance on the relationship between consonance and dissonance intervals were made bearing vocal music in mind. Based on this fact, the consonance theories by Kameoka and Kuriyagawa, Kobata, and Sethares are reexamined, and the degrees of consonance and dissonance for singing voice are analyzed.},
 title = {歌唱時音声の協和性理論を用いた分析},
 year = {2011}
}