@techreport{oai:ipsj.ixsq.nii.ac.jp:00056470,
 author = {荒川, 恵子 and 水浪田鶴 and 桑野, 園子 and 難波精一郎 and 加藤徹 and Keiko, Arakawa and Tazu, Mizunami and Sonoko, Kuwano and Seiichiro, Namba and Toru, Kato},
 issue = {53(1996-MUS-015)},
 month = {May},
 note = {音楽聴取において大きさを判断する際に、冒頭及び直前に聴く音圧レベル情報が、大きさの判断枠組みに与える影響について、カテゴリー連続判断法を導入して調べた。音源は同一曲から、5?20秒の音楽的まとまりのあるブロックを抽出し、音圧レベル情報が(）下降系列、(）上昇系列になるよう配列し、ブロック間には約5秒間の無音部を挿入した。実験1の音源はチャイコフスキー作曲、交響曲第6番口短調作品74『悲槍』、実験2の音源はチャイコフスキー作曲、作品31『スラブ行進曲』をそれそれ編集したものである。実験の結果、直前で聴く音との対比効果が大きさの判断枠組みに影響を及ぼすことが示唆された。, The method of continuous judgment by category was introduced to examine the context effect on loudness in listening to music. Musically significant portions were selected from a piece of music. Their durations were 5 to 20secs. They were arranged in descending series and ascending series according to their sound levels with about 5 secs silent interval. Symphony no.6 b-minor op.74 "pathetique" composed by Tchaikovsky was used in Experiment 1 and "Slavonian march" op.31 composed by Tchaikovsky was used in Experiment 2. From the findings it was suggested that instantaneous subjective impressions of loudness of music performance were judged by the subjects on the basis of the contrast of the sounds level of the preceding portion.},
 title = {音楽聴取における大きさの文脈効果について},
 year = {1996}
}