{"updated":"2025-01-22T05:11:31.490149+00:00","metadata":{"_oai":{"id":"oai:ipsj.ixsq.nii.ac.jp:00055974","sets":["1164:5064:5089:5092"]},"path":["5092"],"owner":"1","recid":"55974","title":["ポップス系ドラム演奏の打点時刻及び音量とグルーブ感の関連について"],"pubdate":{"attribute_name":"公開日","attribute_value":"2004-08-02"},"_buckets":{"deposit":"12d0610a-f160-4d8d-b49f-630898891628"},"_deposit":{"id":"55974","pid":{"type":"depid","value":"55974","revision_id":0},"owners":[1],"status":"published","created_by":1},"item_title":"ポップス系ドラム演奏の打点時刻及び音量とグルーブ感の関連について","author_link":["0","0"],"item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ポップス系ドラム演奏の打点時刻及び音量とグルーブ感の関連について"},{"subitem_title":"Relationship Between Groove Feeling and the Timing and Loudness of Drum Attacks in Popular Music","subitem_title_language":"en"}]},"item_type_id":"4","publish_date":"2004-08-02","item_4_text_3":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"関西学院大学大学院理工学研究科"},{"subitem_text_value":"NTTコミュニケーション科学基礎研究所"},{"subitem_text_value":"関西学院大学理工学部／さきがけ研究21"}]},"item_4_text_4":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_value":"Graduate School of Science and Technology, Kwansei Gakuin University","subitem_text_language":"en"},{"subitem_text_value":"NTT Communication Science Laboratories","subitem_text_language":"en"},{"subitem_text_value":"School of Science and Technology, Kwansei Gakuin University/PRESTO, JST","subitem_text_language":"en"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_publisher":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"情報処理学会","subitem_publisher_language":"ja"}]},"publish_status":"0","weko_shared_id":-1,"item_file_price":{"attribute_name":"Billing file","attribute_type":"file","attribute_value_mlt":[{"url":{"url":"https://ipsj.ixsq.nii.ac.jp/record/55974/files/IPSJ-MUS04056004.pdf"},"date":[{"dateType":"Available","dateValue":"2006-08-02"}],"format":"application/pdf","billing":["billing_file"],"filename":"IPSJ-MUS04056004.pdf","filesize":[{"value":"590.1 kB"}],"mimetype":"application/pdf","priceinfo":[{"tax":["include_tax"],"price":"660","billingrole":"5"},{"tax":["include_tax"],"price":"330","billingrole":"6"},{"tax":["include_tax"],"price":"0","billingrole":"21"},{"tax":["include_tax"],"price":"0","billingrole":"44"}],"accessrole":"open_date","version_id":"a5a9203e-2961-4241-898a-7b394c550490","displaytype":"detail","licensetype":"license_note","license_note":"Copyright (c) 2004 by the Information Processing Society of Japan"}]},"item_4_creator_5":{"attribute_name":"著者名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"奥平, 啓太"},{"creatorName":"平田, 圭二"},{"creatorName":"片寄, 晴弘"}],"nameIdentifiers":[{}]}]},"item_4_creator_6":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Keita, Okudaira","creatorNameLang":"en"},{"creatorName":"Keiji, Hirata","creatorNameLang":"en"},{"creatorName":"Haruhiro, Katayase","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10438388","subitem_source_identifier_type":"NCID"}]},"item_4_textarea_12":{"attribute_name":"Notice","attribute_value_mlt":[{"subitem_textarea_value":"SIG Technical Reports are nonrefereed and hence may later appear in any journals, conferences, symposia, etc."}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourceuri":"http://purl.org/coar/resource_type/c_18gh","resourcetype":"technical report"}]},"item_4_description_7":{"attribute_name":"論文抄録","attribute_value_mlt":[{"subitem_description":"ポップス系音楽においてドラムのグルーブ感 (groove) は，その違いにより楽曲全体の印象を変えるような重要な要素の一つであると言える．しかし，これまでグルーブ感と実際のドラムの発音時刻及び音量の関連については調べられてはこなかった．本研究では，プロのドラム奏者による 8 ビートと 16 ビートのリズムパターンの異なるグルーブ感を出した演奏から，スネア，ベースドラム，ハイハットの打点時刻と音量を測定し，これらのグルーブ感との関連を調べる．グルーブ感の違いは，実際の発音時刻や音量からも読み取ることが出来た．","subitem_description_type":"Other"}]},"item_4_description_8":{"attribute_name":"論文抄録(英)","attribute_value_mlt":[{"subitem_description":"Groove feeling of drumming is one of the most important factor, since it may greatly change a tune's impression. However, there have been very few attempts at investigating the relationship between the groove feeling and the timing and loudness of each drum attack in popular music. We first set up a simple drum layout of a snare, a bass, and a hi-hat and then, measure the timing and loudness of each under simple 8-beat and 16-beat rhythms, which are played by a professional drummer. We study an influence of timing and loudness of each attack on groove feeling quantitatively to some extent.","subitem_description_type":"Other"}]},"item_4_biblio_info_10":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicPageEnd":"26","bibliographic_titles":[{"bibliographic_title":"情報処理学会研究報告音楽情報科学（MUS）"}],"bibliographicPageStart":"21","bibliographicIssueDates":{"bibliographicIssueDate":"2004-08-02","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"84(2004-MUS-056)","bibliographicVolumeNumber":"2004"}]},"relation_version_is_last":true,"weko_creator_id":"1"},"created":"2025-01-18T23:19:29.988342+00:00","id":55974,"links":{}}