{"updated":"2025-01-22T05:14:59.374063+00:00","metadata":{"_oai":{"id":"oai:ipsj.ixsq.nii.ac.jp:00055869","sets":["1164:5064:5077:5081"]},"path":["5081"],"owner":"1","recid":"55869","title":["楽譜データベースを用いた日本ポピュラー音楽の旋律分析"],"pubdate":{"attribute_name":"公開日","attribute_value":"2006-05-13"},"_buckets":{"deposit":"08382351-2888-4e44-99a1-e5237d2f878a"},"_deposit":{"id":"55869","pid":{"type":"depid","value":"55869","revision_id":0},"owners":[1],"status":"published","created_by":1},"item_title":"楽譜データベースを用いた日本ポピュラー音楽の旋律分析","author_link":["0","0"],"item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"楽譜データベースを用いた日本ポピュラー音楽の旋律分析"},{"subitem_title":"Melodic Analysis of Japanese Popular Music Using Musical Score Database","subitem_title_language":"en"}]},"item_type_id":"4","publish_date":"2006-05-13","item_4_text_3":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"近畿大学工学部"},{"subitem_text_value":"近畿大学工学部"},{"subitem_text_value":"近畿大学工学部"}]},"item_4_text_4":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_value":"Kinki University","subitem_text_language":"en"},{"subitem_text_value":"Kinki University","subitem_text_language":"en"},{"subitem_text_value":"Kinki University","subitem_text_language":"en"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_publisher":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"情報処理学会","subitem_publisher_language":"ja"}]},"publish_status":"0","weko_shared_id":-1,"item_file_price":{"attribute_name":"Billing file","attribute_type":"file","attribute_value_mlt":[{"url":{"url":"https://ipsj.ixsq.nii.ac.jp/record/55869/files/IPSJ-MUS06065004.pdf"},"date":[{"dateType":"Available","dateValue":"2008-05-13"}],"format":"application/pdf","billing":["billing_file"],"filename":"IPSJ-MUS06065004.pdf","filesize":[{"value":"386.8 kB"}],"mimetype":"application/pdf","priceinfo":[{"tax":["include_tax"],"price":"660","billingrole":"5"},{"tax":["include_tax"],"price":"330","billingrole":"6"},{"tax":["include_tax"],"price":"0","billingrole":"21"},{"tax":["include_tax"],"price":"0","billingrole":"44"}],"accessrole":"open_date","version_id":"68422f74-d4a1-4b09-86df-e9d901afff63","displaytype":"detail","licensetype":"license_note","license_note":"Copyright (c) 2006 by the Information Processing Society of Japan"}]},"item_4_creator_5":{"attribute_name":"著者名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"三家本祥平"},{"creatorName":"井手, 綾香"},{"creatorName":"出口, 幸子"}],"nameIdentifiers":[{}]}]},"item_4_creator_6":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Shohei, Mikamoto","creatorNameLang":"en"},{"creatorName":"Ayaka, Ide","creatorNameLang":"en"},{"creatorName":"Sachiko, Deguchi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10438388","subitem_source_identifier_type":"NCID"}]},"item_4_textarea_12":{"attribute_name":"Notice","attribute_value_mlt":[{"subitem_textarea_value":"SIG Technical Reports are nonrefereed and hence may later appear in any journals, conferences, symposia, etc."}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourceuri":"http://purl.org/coar/resource_type/c_18gh","resourcetype":"technical report"}]},"item_4_description_7":{"attribute_name":"論文抄録","attribute_value_mlt":[{"subitem_description":"本研究では、日本ポピュラー音楽の3名の作曲家の楽曲を対象として、楽譜データベースを作成し、それを用いてリズムと旋律を分析した。リズムについては、作曲家ごとに1小節単位で音価の列を抽出して上位パターンを比較分析した所、作曲家による違いがあることが分かった。旋律については、作曲家ごとにn音旋律（音高の列、n=3～7）を抽出して上位パターンを比較分析した所、短い旋律（n=3）には共通パターンが多いことが示された。さらに、音階上における音の分布と遷移に偏りがあることが示された。一方、サビの最初の音高が高いとは言えないことを確認した。","subitem_description_type":"Other"}]},"item_4_description_8":{"attribute_name":"論文抄録(英)","attribute_value_mlt":[{"subitem_description":"This paper describes the musical score databases of three composers in Japanese popular music and the analysis of the rhythms and melodies using the databases. The authors extracted the durations of notes in each bar as a rhythmic pattern from each composer's database, and compared frequently used patterns. The result shows the differences of three composers' patterns. The authors extracted n-note melodic patterns (pitch transition patterns, n=3--7), and compared frequently used patterns. The result shows that the short melodic patterns (n=3) are common to three composers. It is also shown that the distribution and the transitions of notes on the musical scale are not uniform. In addition, our analysis confirms that “sabi” phrases do not always start with high pitches.","subitem_description_type":"Other"}]},"item_4_biblio_info_10":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicPageEnd":"24","bibliographic_titles":[{"bibliographic_title":"情報処理学会研究報告音楽情報科学（MUS）"}],"bibliographicPageStart":"19","bibliographicIssueDates":{"bibliographicIssueDate":"2006-05-13","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"45(2006-MUS-065)","bibliographicVolumeNumber":"2006"}]},"relation_version_is_last":true,"weko_creator_id":"1"},"created":"2025-01-18T23:19:25.074860+00:00","id":55869,"links":{}}