@techreport{oai:ipsj.ixsq.nii.ac.jp:00055103,
 author = {植木, 雅昭 and 深野, 淳 and 吉川, 太朗 and 西河, 俊伸 and 細見, 心一 and 水内, 保宏 and 辻田, 忠弘 and Masaaki, Ueki and Jun, Fukano and Taro, Kikkawa and Toshinobu, Nishikawa and Shinichi, Hosomi and Yasuhiro, Mizuuchi and Tadahiro, Tsujita},
 issue = {7(2003-CH-061)},
 month = {Jan},
 note = {本論文は絵画における作図法表現によって，人間の心理がどのように変わるかを心理物理的に実験したものである．絵画として17世紀オランダの画家フェルメールの“牛乳を注ぐ女”を用いた．この絵画はフェルメールが，あえて透視図法（遠近法）の正確さを捨て，ひたすら目に自然な構成を優先させたと言われている[3]．実際に透視図法を用いなかったことで，どのような効果が得られたのかについて，比較分析実験によって評価し，感性の「評価性」，「活動性」，「情緒性」における3次元性分析を行った．その結果，実際の絵画においては「評価性」，「活動性」に，透視図法を用いた絵画においては「情緒性」に高い効果が得られた．, In this paper, it is physically evaluated how human being’s psychology changes by description of drawing practice in “THE MILK MAID” of Vermeer who is a famous realistic Holland painter in the seventeenth century. This painting is said that Vermeer abandoned the accuracy of perspective and prioritized the artless organization for human eyes. I evaluated this picture by using experimental test of comparative analysis and analyzed what effects were acquired in evaluation, activity and affectivity by using the three dimensional analysis. As the result of these experiments, the actual painting has an effect in evaluation and activity, and the other picture, which is repainted by using the perspective, has an effect in affectivity.},
 title = {フェルメール絵画の透視図法における感性的研究},
 year = {2004}
}