@techreport{oai:ipsj.ixsq.nii.ac.jp:00041402,
 author = {篠田, 亮 and 田村, 宜之 and 石川, 智治 and 宮原, 誠 and Ryo, Shinoda and Yoshiyuki, Tamura and Tomoharu, Ishikawa and Makoto, Miyahara},
 issue = {74(2002-AVM-037)},
 month = {Jul},
 note = {我々は，実験的に従来オーディオでは中心的評価語でなかった“深々さ”，“音の重心の低さ”，“抜け”等に注目し，高度感性情報の伝達のための問題の解明に挑戦している．その研究の中で，スピーカーの低音に生じる高調波の量により，上記音質が大きく変化することに気づいた．そこで，本報告は，信号上で高調波の量や位相を変化させ，音質：“音の重心の低さ”等を評価した．その結果，基本波に対する第二，三高調波の量的（位相）比率により，明確に音質；“音の重心の低さ”等が変化することを評価実験で明らかにできたので報告する．, Although the audio system have been advanced, the sound quality of those systems are far from the level of sound quality at the live performance. To resolve the problem, we have introduced High Order Sensation (HOS) that is evoked from music, and we aim to reproduce HOS on the audio system. We have focused to the harmonics distortion of the low-pitched sound playback of the speaker and observed the sound quality (“Deepness”, “Lowness centroid”, “Open”) change by the ratio and phase change of harmonics. The clear sound quality change is observed.},
 title = {基音への高調波の混合比による音変化},
 year = {2002}
}