{"metadata":{"_oai":{"id":"oai:ipsj.ixsq.nii.ac.jp:00037192","sets":["1164:3027:3087:3090"]},"path":["3090"],"owner":"1","recid":"37192","title":["作曲や即興演奏における旋律創作ルール抽出支援手法の検討"],"pubdate":{"attribute_name":"公開日","attribute_value":"1998-08-21"},"_buckets":{"deposit":"0d22045c-8f21-4c80-8c09-057c686e450a"},"_deposit":{"id":"37192","pid":{"type":"depid","value":"37192","revision_id":0},"owners":[1],"status":"published","created_by":1},"item_title":"作曲や即興演奏における旋律創作ルール抽出支援手法の検討","author_link":["0","0"],"item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"作曲や即興演奏における旋律創作ルール抽出支援手法の検討"},{"subitem_title":"A Supporting Method to Extract Rules for Melody Creation in Music Composition and Improvisation","subitem_title_language":"en"}]},"item_type_id":"4","publish_date":"1998-08-21","item_4_text_3":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"（株）ATR知能映像通信研究所"},{"subitem_text_value":"（株）ATR知能映像通信研究所"}]},"item_4_text_4":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_value":"ATR Media Integration & Communications research Laboratories","subitem_text_language":"en"},{"subitem_text_value":"ATR Media Integration & Communications research Laboratories","subitem_text_language":"en"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_publisher":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"情報処理学会","subitem_publisher_language":"ja"}]},"publish_status":"0","weko_shared_id":-1,"item_file_price":{"attribute_name":"Billing file","attribute_type":"file","attribute_value_mlt":[{"url":{"url":"https://ipsj.ixsq.nii.ac.jp/record/37192/files/IPSJ-HI98079009.pdf"},"date":[{"dateType":"Available","dateValue":"2000-08-21"}],"format":"application/pdf","billing":["billing_file"],"filename":"IPSJ-HI98079009.pdf","filesize":[{"value":"1.2 MB"}],"mimetype":"application/pdf","priceinfo":[{"tax":["include_tax"],"price":"660","billingrole":"5"},{"tax":["include_tax"],"price":"330","billingrole":"6"},{"tax":["include_tax"],"price":"0","billingrole":"33"},{"tax":["include_tax"],"price":"0","billingrole":"44"}],"accessrole":"open_date","version_id":"e2d596b1-e2f9-49e7-8e91-5c19b2b2da95","displaytype":"detail","licensetype":"license_note","license_note":"Copyright (c) 1998 by the Information Processing Society of Japan"}]},"item_4_creator_5":{"attribute_name":"著者名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"西本, 一志"},{"creatorName":"間瀬, 健二"}],"nameIdentifiers":[{}]}]},"item_4_creator_6":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Kazushi, Nishimoto","creatorNameLang":"en"},{"creatorName":"Kenji, Mase","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1221543X","subitem_source_identifier_type":"NCID"}]},"item_4_textarea_12":{"attribute_name":"Notice","attribute_value_mlt":[{"subitem_textarea_value":"SIG Technical Reports are nonrefereed and hence may later appear in any journals, conferences, symposia, etc."}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourceuri":"http://purl.org/coar/resource_type/c_18gh","resourcetype":"technical report"}]},"item_4_description_7":{"attribute_name":"論文抄録","attribute_value_mlt":[{"subitem_description":"音楽の演奏表現に関するルールを抽出する手法の研究が従来から多く行われている．しかしこれらの手法は，演奏する楽曲があらかじめ与えられていることを前提としており，特に音高の構成に関するルール抽出が不十分であるため，楽曲自体を新たに創作する場合にどのような旋律作りをすれば良いのかという音楽表現ルールを獲得する目的には使えない．そこで本稿では，新たな旋律の創造を主とする音楽の創作活動の支援を目的として，特に音が人に与える情動的影響に注目した分析と，楽曲を構成するフレーズおよび各音楽プリミティブの関連を時系列的でなく空間的な構造として表現することにより，音楽表現ルールの抽出を支援する手法を提案する．","subitem_description_type":"Other"}]},"item_4_description_8":{"attribute_name":"論文抄録(英)","attribute_value_mlt":[{"subitem_description":"A lot of research effort has been made on extracting rules for music expression. However, the resulting methods have dealt only with music pieces previously composed, and hence their functions to extract rules on pitch structure have been insufficient. Therefore, it is impossible to apply them to obtain rules in terms of how a music piece should be structured. In this paper, aiming at support in the creation of novel melodies, the authors propose a method of extracting rules by analyzing melodies based on the functions of notes that affect human emotions.","subitem_description_type":"Other"}]},"item_4_biblio_info_10":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicPageEnd":"54","bibliographic_titles":[{"bibliographic_title":"情報処理学会研究報告ヒューマンコンピュータインタラクション（HCI）"}],"bibliographicPageStart":"49","bibliographicIssueDates":{"bibliographicIssueDate":"1998-08-21","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"75(1998-HI-079)","bibliographicVolumeNumber":"1998"}]},"relation_version_is_last":true,"weko_creator_id":"1"},"id":37192,"updated":"2025-01-22T13:54:40.919568+00:00","links":{},"created":"2025-01-18T23:05:05.714652+00:00"}