{"metadata":{"_oai":{"id":"oai:ipsj.ixsq.nii.ac.jp:00185792","sets":["1164:5064:9400:9401"]},"path":["9401"],"owner":"11","recid":"185792","title":["ポピュラー音楽における人間のサビ認識に関する研究"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-02-13"},"_buckets":{"deposit":"3047bada-5d35-4f77-aa12-96254a4d2d66"},"_deposit":{"id":"185792","pid":{"type":"depid","value":"185792","revision_id":0},"owners":[11],"status":"published","created_by":11},"item_title":"ポピュラー音楽における人間のサビ認識に関する研究","author_link":["414226","414227","414228","414225"],"item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ポピュラー音楽における人間のサビ認識に関する研究"},{"subitem_title":"A study of human chorus-section recognition in popular music","subitem_title_language":"en"}]},"item_type_id":"4","publish_date":"2018-02-13","item_4_text_3":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"筑波大学情報学群情報メディア創成学類"},{"subitem_text_value":"筑波大学情報学群情報メディア創成学類"}]},"item_4_text_4":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_value":"College of Media Arts, Science and Technology, School of Informatics, University of Tsukuba","subitem_text_language":"en"},{"subitem_text_value":"College of Media Arts, Science and Technology, School of Informatics, University of Tsukuba","subitem_text_language":"en"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_publisher":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"情報処理学会","subitem_publisher_language":"ja"}]},"publish_status":"0","weko_shared_id":-1,"item_file_price":{"attribute_name":"Billing file","attribute_type":"file","attribute_value_mlt":[{"url":{"url":"https://ipsj.ixsq.nii.ac.jp/record/185792/files/IPSJ-MUS18118027.pdf","label":"IPSJ-MUS18118027.pdf"},"date":[{"dateType":"Available","dateValue":"2020-02-13"}],"format":"application/pdf","billing":["billing_file"],"filename":"IPSJ-MUS18118027.pdf","filesize":[{"value":"458.2 kB"}],"mimetype":"application/pdf","priceinfo":[{"tax":["include_tax"],"price":"660","billingrole":"5"},{"tax":["include_tax"],"price":"330","billingrole":"6"},{"tax":["include_tax"],"price":"0","billingrole":"21"},{"tax":["include_tax"],"price":"0","billingrole":"44"}],"accessrole":"open_date","version_id":"04ede9dc-c0e3-46b6-b38c-8eea117dc3bd","displaytype":"detail","licensetype":"license_note"}]},"item_4_creator_5":{"attribute_name":"著者名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"宮澤, 響"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"平賀, 譲"}],"nameIdentifiers":[{}]}]},"item_4_creator_6":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Hibiki, Miyazawa","creatorNameLang":"en"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Yuzuru, Hiraga","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10438388","subitem_source_identifier_type":"NCID"}]},"item_4_textarea_12":{"attribute_name":"Notice","attribute_value_mlt":[{"subitem_textarea_value":"SIG Technical Reports are nonrefereed and hence may later appear in any journals, conferences, symposia, etc."}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourceuri":"http://purl.org/coar/resource_type/c_18gh","resourcetype":"technical report"}]},"item_4_source_id_11":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2188-8752","subitem_source_identifier_type":"ISSN"}]},"item_4_description_7":{"attribute_name":"論文抄録","attribute_value_mlt":[{"subitem_description":"ポピュラー音楽の多くは A メロ，B メロ，サビと呼ばれるセクションから構成されている．これらのセクションが，それぞれの音楽的特徴によって絶対的に識別されるのか，楽曲の構造に従って相対的に識別されるのかは，音楽認知上の興味深い課題である．本研究では，未知の楽曲を対象として，各セクションを単独で提示する絶対評価実験と，1 曲の楽曲内の各セクションをランダムな順序で提示する相対評価実験の 2 種類の心理実験を実施した．その結果，各セクションは単独でもそれぞれの音楽的特徴に基づき識別することができる一方，セクション同士の比較によって識別率が上がることが分かった．","subitem_description_type":"Other"}]},"item_4_description_8":{"attribute_name":"論文抄録(英)","attribute_value_mlt":[{"subitem_description":"Popular music typically consists of sections called verse-A, verse-B, and chorus. One interesting issue which arises from a music cognitive viewpoint is whether such sections are recognized by their inherent music properties alone, or by their structural relationships. In this study, two psychological experiments were conducted with music unknown to participants. One is “absolute evaluation” which presents each of the sections independently, and the other is “relative evaluation” which presents the sections within a single piece in random order. The results show that a good portion of sections can be identified on their own, while comparison among the sections enhances the identification rate.","subitem_description_type":"Other"}]},"item_4_biblio_info_10":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicPageEnd":"8","bibliographic_titles":[{"bibliographic_title":"研究報告音楽情報科学（MUS）"}],"bibliographicPageStart":"1","bibliographicIssueDates":{"bibliographicIssueDate":"2018-02-13","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"27","bibliographicVolumeNumber":"2018-MUS-118"}]},"relation_version_is_last":true,"weko_creator_id":"11"},"id":185792,"updated":"2025-01-20T02:50:58.840928+00:00","links":{},"created":"2025-01-19T00:52:52.042609+00:00"}