{"id":181866,"updated":"2025-01-20T04:23:43.353473+00:00","links":{},"created":"2025-01-19T00:49:34.563979+00:00","metadata":{"_oai":{"id":"oai:ipsj.ixsq.nii.ac.jp:00181866","sets":["6504:9168:9178"]},"path":["9178"],"owner":"6748","recid":"181866","title":["一点透視図法の絵画における注目領域の抽出ー遠近法導入時に着目して"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-03-16"},"_buckets":{"deposit":"fef74d6e-1f8c-4734-802c-8446d3b367b1"},"_deposit":{"id":"181866","pid":{"type":"depid","value":"181866","revision_id":0},"owners":[6748],"status":"published","created_by":6748},"item_title":"一点透視図法の絵画における注目領域の抽出ー遠近法導入時に着目して","author_link":["394486","394487","394488","394485"],"item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"一点透視図法の絵画における注目領域の抽出ー遠近法導入時に着目して"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"コンピュータと人間社会","subitem_subject_scheme":"Other"}]},"item_type_id":"22","publish_date":"2017-03-16","item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_22_text_3":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"同志社大"},{"subitem_text_value":"同志社大"},{"subitem_text_value":"関西学院大"},{"subitem_text_value":"関西学院大"}]},"item_publisher":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"情報処理学会","subitem_publisher_language":"ja"}]},"publish_status":"0","weko_shared_id":-1,"item_file_price":{"attribute_name":"Billing file","attribute_type":"file","attribute_value_mlt":[{"url":{"url":"https://ipsj.ixsq.nii.ac.jp/record/181866/files/IPSJ-Z79-1ZF-08.pdf","label":"IPSJ-Z79-1ZF-08.pdf"},"date":[{"dateType":"Available","dateValue":"2017-05-22"}],"format":"application/pdf","filename":"IPSJ-Z79-1ZF-08.pdf","filesize":[{"value":"527.4 kB"}],"mimetype":"application/pdf","accessrole":"open_date","version_id":"16f24600-5b4e-41f7-ac1b-4501cfa96be6","displaytype":"detail","licensetype":"license_note","license_note":"Copyright (c) 2017 by the Information Processing Society of Japan"}]},"item_22_creator_5":{"attribute_name":"著者名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"杉本, はるか"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"阪田, 真己子"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"松尾, 良磨"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"山本, 倫也"}],"nameIdentifiers":[{}]}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourceuri":"http://purl.org/coar/resource_type/c_5794","resourcetype":"conference paper"}]},"item_22_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00349328","subitem_source_identifier_type":"NCID"}]},"item_22_description_7":{"attribute_name":"論文抄録","attribute_value_mlt":[{"subitem_description":"　江戸時代後期，日本に遠近法がもたらされることにより，浮世絵や油彩画において，積極的に一点透視図法が取り入れられるようになった．元来，西洋画において一点透視図法は，奥行き線と消失点により，絵画に遠近感を持たせることを目的として用いられてきたが，江戸名所絵や明治初期の日本の絵画では，鑑賞者の視線を消失点上に配置されたモティーフに誘導させる方法として用いられていたとされる．そこで，本研究では，当時の日本における一点透視図法による絵画を対象として，消失点上にモティーフを配置する構図がもたらす効果について明らかにする．消失点上にモティーフのある絵とない絵，消失点上のモティーフを消した加工を施した絵の合計3種類について視線計測実験を行い，それぞれの注目領域を比較する．","subitem_description_type":"Other"}]},"item_22_biblio_info_10":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicPageEnd":"952","bibliographic_titles":[{"bibliographic_title":"第79回全国大会講演論文集"}],"bibliographicPageStart":"951","bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-16","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicVolumeNumber":"2017"}]},"relation_version_is_last":true,"weko_creator_id":"6748"}}