WEKO3
アイテム
PERFORMING ARTS OF INTANGIBLE CULTURAL HERITAGE IN SECOND LIFE
https://ipsj.ixsq.nii.ac.jp/records/90085
https://ipsj.ixsq.nii.ac.jp/records/90085141c05e6-e657-434d-b6b8-b855e6ba4c72
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
IPSJ-S-CH2009020.pdf (4.3 MB)
|
Copyright (c) 2009 by the Information Processing Society of Japan
|
|
| オープンアクセス | ||
| Item type | Symposium(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2013-02-07 | |||||||
| タイトル | ||||||||
| タイトル | PERFORMING ARTS OF INTANGIBLE CULTURAL HERITAGE IN SECOND LIFE | |||||||
| タイトル | ||||||||
| 言語 | en | |||||||
| タイトル | PERFORMING ARTS OF INTANGIBLE CULTURAL HERITAGE IN SECOND LIFE | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||||
| 資源タイプ | conference paper | |||||||
| 著者所属(英) | ||||||||
| en | ||||||||
| Global Innovation Research Organization, Ritsumeikan University, Japan | ||||||||
| 著者所属(英) | ||||||||
| en | ||||||||
| King's Visualisation Lab (KVL), King's College London, UK | ||||||||
| 著者所属(英) | ||||||||
| en | ||||||||
| King's Visualisation Lab (KVL), King's College London, UK | ||||||||
| 著者所属(英) | ||||||||
| en | ||||||||
| College of Image Art and Science, Ritsumeikan University, Japan | ||||||||
| 著者所属(英) | ||||||||
| en | ||||||||
| College of Information Science and Engineering, Ritsumeikan University, Japan | ||||||||
| 著者所属(英) | ||||||||
| en | ||||||||
| King's Visualisation Lab (KVL), King's College London, UK | ||||||||
| 著者名(英) |
Woong, Choi
× Woong, Choi
|
|||||||
| 論文抄録(英) | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | In this research, we set ourselves the task to record and collate Japanese Traditional Performing Arts, motion data and audio recordings and develop a method to create a real-time animation combining these within their context in Second LifeTM (SL). For this we specifically focused on assets of Noh in Japanese Traditional Performing Arts. We propose a method that synchronously controls motion, sound and subtitle of a performance and transmits this information to avatar of audience in SL. In our research, we successfully collated intangible cultural material through digital capture methods and migrated them through the proposed method into the SL environment to produce an integrated real-time version of Utaura within the context of the Noh theatre. | |||||||
| 書誌情報 |
じんもんこん2009論文集 巻 2009, 号 16, p. 135-140, 発行日 2009-12-11 |
|||||||
| 出版者 | ||||||||
| 言語 | ja | |||||||
| 出版者 | 情報処理学会 | |||||||
