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Automatic Music Completion Based on Joint Optimization of Harmony Progression and Voicing
https://ipsj.ixsq.nii.ac.jp/records/200679
https://ipsj.ixsq.nii.ac.jp/records/200679e5aafbaf-40ae-4b3e-bf1d-fa53dce1e493
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
IPSJ-JNL6011013.pdf (391.3 kB)
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Copyright (c) 2019 by the Information Processing Society of Japan
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| オープンアクセス | ||
| Item type | Journal(1) | |||||||||
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| 公開日 | 2019-11-15 | |||||||||
| タイトル | ||||||||||
| タイトル | Automatic Music Completion Based on Joint Optimization of Harmony Progression and Voicing | |||||||||
| タイトル | ||||||||||
| 言語 | en | |||||||||
| タイトル | Automatic Music Completion Based on Joint Optimization of Harmony Progression and Voicing | |||||||||
| 言語 | ||||||||||
| 言語 | eng | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | [特集：エンタテインメントコンピューティング] automatic music completion, probabilistic model, harmony progression, polyphonic voicing | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者所属 | ||||||||||
| Graduate School of Advanced Mathematical Sciences, Meiji University | ||||||||||
| 著者所属 | ||||||||||
| Graduate School of Advanced Mathematical Sciences, Meiji University | ||||||||||
| 著者所属(英) | ||||||||||
| en | ||||||||||
| Graduate School of Advanced Mathematical Sciences, Meiji University | ||||||||||
| 著者所属(英) | ||||||||||
| en | ||||||||||
| Graduate School of Advanced Mathematical Sciences, Meiji University | ||||||||||
| 著者名 |
Christoph, M. Wilk
× Christoph, M. Wilk
× Shigeki, Sagayama
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| 著者名(英) |
Christoph, M. Wilk
× Christoph, M. Wilk
× Shigeki, Sagayama
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| 論文抄録 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | This paper proposes automatic music completion - the automatic generation of music pieces from any incomplete fragments of music - as a new class of music composition assistance tasks. This is a generalization of conventional music information problems such as automatic melody generation and harmonization. The goal is to turn musical ideas of a user into music pieces, allowing users to quickly explore new ideas and enabling inexperienced users to create their own music. This principle is applicable to a wide variety of music, and as a first step, we present a system that automatically fills in missing parts of a four-part chorale, as well as the underlying harmony progression. The user can input any combination of melody fragments, and freely constrain the harmony. Our system searches for harmonies and melodies that adhere to music-theoretical principles, which requires extensive knowledge and practice for human composers. Accounting for the mutual influence of melodic and harmonic development in music composition, the system is based on a joint model of harmony and voicing. The system was evaluated by analyzing generated music with respect to music theory, in addition to a subjective evaluation experiment. The readers are invited to experiment with our system at http://160.16.202.131/music_completion. ------------------------------ This is a preprint of an article intended for publication Journal of Information Processing(JIP). This preprint should not be cited. This article should be cited as: Journal of Information Processing Vol.27(2019) (online) DOI http://dx.doi.org/10.2197/ipsjjip.27.693 ------------------------------ |
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| 論文抄録(英) | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | This paper proposes automatic music completion - the automatic generation of music pieces from any incomplete fragments of music - as a new class of music composition assistance tasks. This is a generalization of conventional music information problems such as automatic melody generation and harmonization. The goal is to turn musical ideas of a user into music pieces, allowing users to quickly explore new ideas and enabling inexperienced users to create their own music. This principle is applicable to a wide variety of music, and as a first step, we present a system that automatically fills in missing parts of a four-part chorale, as well as the underlying harmony progression. The user can input any combination of melody fragments, and freely constrain the harmony. Our system searches for harmonies and melodies that adhere to music-theoretical principles, which requires extensive knowledge and practice for human composers. Accounting for the mutual influence of melodic and harmonic development in music composition, the system is based on a joint model of harmony and voicing. The system was evaluated by analyzing generated music with respect to music theory, in addition to a subjective evaluation experiment. The readers are invited to experiment with our system at http://160.16.202.131/music_completion. ------------------------------ This is a preprint of an article intended for publication Journal of Information Processing(JIP). This preprint should not be cited. This article should be cited as: Journal of Information Processing Vol.27(2019) (online) DOI http://dx.doi.org/10.2197/ipsjjip.27.693 ------------------------------ |
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| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN00116647 | |||||||||
| 書誌情報 |
情報処理学会論文誌 巻 60, 号 11, 発行日 2019-11-15 |
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| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 1882-7764 | |||||||||
